The Magnificent Seven – In the event that you’d overlooked the commence of the prior two motion pictures: There’s a poor town amidst no place that continues getting sacked by crooks, so they choose to contract a gathering of seven gunfighters to guard them. The huge switch this time around is that rather than criminals, the approaching reprobates are the cronies of an evil mining organization that is bespoiled the land and now needs to constrain the townspeople off their property at radically out of line land rates (topical!). Also, on the off chance that that still sounds excessively vague for you, the baddies are driven by Peter Sarsgaard, who gets to monolog about religion and private enterprise so no one is confounded in the matter of who you’re pulling for to get messed up once the shooting begins themagnificentsevenonline .
That is the other significant change: tone. To be reasonable, each variant of this story has played it expansive and activity arranged, however this one triples down on a curve, over-the-top “rainbow coalition” of deliberately different, independently specific characters to the point that it verges on being a period superhero motion picture – you could slide this sucker into the Marvel Cinematic Universe without an excess of exertion, and that is before a supporting character alludes to himself as “The Two Gun Kid.”
Regardless, the lineup this time is Denzel as a stern abundance seeker, Chris Pratt as a wisecracking player whose great with bombs, Ethan Hawke as an ex-military marksman with PTSD, Byung-hun Lee as an omnidisciplined professional killer, Vincent D’Onofrio as an insane super-solid mountain man, Martin Sensmeier as a Comanche warrior named Red Harvest (ha), and Manuel Garcia-Rulfo as a bandit with a cost on his head. I figure you could in fact say that Haley Bennett’s true townspeople pioneer in the end kind of gets to be “Number 8″ since she ends up being helpful with a rifle… however marking is imperative along these lines, whatever.
Some of it is… about as ridiculous as it sounds, however there are a lot of incredible westerns that have lived and kicked the bucket by “silly” so I don’t generally consider that to be much in the method for a feedback. Deconstructionist authenticity has been the default for this specific class sufficiently long, and Fuqua’s approach here grounds easily in the elevated reality zone between Hopalong Cassidy and the first Django so dislike there’s no point of reference.